|
ca. 1500
BC
|
evidence of
Mycenaean colony on the acropolis at
Kalabak-Tepe to the southwest of Miletus
site
|
|
ca. 550
BC
|
Ionian city
states including Miletus brought under Persian
control
|
|
500-494
BC
|
assisted by
Athens, Miletus unsuccessful in revolt of the
Ionian cities against Persian rule
|
|
494
BC
|
Miletus occupied
by Persia
|
|
494 BC
|
Athenian
dramatist Phrynichus presents the play, The
Capture of Miletus. Herodotus describes what
happened: "the audience in the theatre burst
into tears, and the author was fined a thousand
drachmae for reminding them of a disaster which
touched them so closely. A law was subsequently
passed for bidding anybody to put the play on
the stage again."
|
|
ca. 480
BC
|
Athens assists
in forming Delian League, uniting Greeks in
their efforts to resist the Persians; Miletus
and Ionian cities free of Persian
control
|
|
479
BC
|
- Miletus
re-built; using grid plan proposed by
Milesian, Hippodamos; this early system of
streets intersecting one another at right
angles was later to form the basis of
town-planning in Roman cities
|
|
404
BC
|
Peloponnesian
War ends; Athens defeated by Sparta; Spartans
unable to successfully manage Delian League;
Persia re-establishes control over Ionian
cities
|
|
387
BC
|
- Persian rule
of Miletus formally acknowledged by the
King's Peace of 387 BC
|
|
334
BC
|
Alexander the
Great defeats Persians and gains control of
Miletus
|
|
300s
BC
|
first phase of
Hellenistic theatre construction; skene
constructed (possibly two stories with two doors
in lower story) and two-tiered cavea constructed
(twenty rows each) (Hellenistic)
|
|
300-250
BC
|
second phase of
Hellenistic construction; skene lengthened, four
doors in lower story of skene, three doors in
upper story; possibly added skene façade
with 16 columns (Hellenistic)
|
|
ca. 150
BC
|
third phase of
Hellenistic construction; skene was further
widened by adding paraskenia on either side of
skene; five thyromata (wide openings) in upper
story of skene, central thyromata added to lower
story; dramatic action moved from orchestra to
roof of skene in accordance with the
requirements of the Hellenistic New Comedy
(Hellenistic)
|
|
Pre-Roman
|
final phase of
Hellenistic construction; skene widen further;
single central thyromata in lower story of
skene; lower story of skene now merely used as a
support for performance space on roof above
(Hellenistic)
|
|
133
BC
|
Miletus
incorporated into Roman Empire
|
|
Early Roman
era
|
theatre enlarged
and adapted; theatre enlarged to seat 15,000
(added third diazomata and third tier to cavea);
construction of logeion (stage) and access
stairs, thyromata in second stage closed leaving
only three openings in first story; orchestra
lowered; third story added to skene and entire
sceanae frons appointed with colonnades and
sculpted decoration (Roman)
|
|
164
AD
|
columns and
baldachin constructed in cavea for visit of
Roman Empress Faustina
|
|
ca. 400
AD
|
construction of
defensive city wall damages theatre skene and
cavea; harbors become increasingly inaccessible
due to silt deposits; marsh swamps surround city
and population diminishes (Byzantine)
|
|
ca. 1200
AD
|
upper tier of
theatre cavea removed and used as building
material for a citadel which still sits above
the theatre
|
|
1328
|
Miletus under
Seljuk rule, became the small village of
Balat
|
|
1899-WWI
|
excavations
under Theodor Wiegand (German)
|
|
1988-WWII
|
excavations
under Gerhard Kliener (German)
|
|
WWII-present
|
excavations
under Gerhard Kliener, Werner MüllerWiener,
and Volkmar von Graeve successively; Germans
remove Byzantine city wall to expose
skene
|