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J105 Syllabus 2009-2010 |
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![]() First Steps in Japanese(shoho no nihongo) J105, Fall Semester 2009 竹本 Welcome to the Whitman College Japanese language and culture program. This is a two semester course designed to help you take your first steps into the world of Japanese language and culture. In order to get the most out of this class, you should plan on making Japanese a linguistic habit. Once speaking Japanese becomes a habitual response or action, this will be one habit you will not want to break. To do so, however, you need to expose yourself to spoken and written Japanese in as many ways as possible. My task will be to provide you with as many different experiences as possible. Your task will be to participate fully and energetically. I will be your coach, drill sergeant, and taskmaster. You will work both individually and as a group to explore a different way of thinking, feeling, and communicating. When you complete the first semester of this course, you will understand and use elementary sentence patterns and words; write the two Japanese syllabaries called hiragana (ひらがな) and katakana (カタカナ); write approximately 70 Japanese characters called kanji ( 漢字 ); and engage in a 20 minute conversation with me in Japanese about yourself and your life at Whitman College. Reading textbook explanations and studying sentence patterns will provide you with important guidelines and hints. But saying words, phrases, and sentences out loud to yourself and anyone else within earshot must be your first priority. You will not learn Japanese by reading explanations. You must pronounce each word, and voice each sentence over and over. There is no substitute for repeated ORAL practice. Like actors on a stage, like tennis players on a court, like musicians in a concert hall, or like dancers on a stage, your learning must be physical, athletic, and practiced. Do the grunt work: learn new words, internalize sentence patterns, and memorize dialogues. Good tennis players spend hours and hours practicing. To learn how to play tennis well or to dance easily and naturally, physical training cannot be ignored. I urge you to set up the kind of training schedule that you would follow for jogging or practicing the violin. Practice every day! Practice with a friend; practice in groups. Do not try to "catch up" on weekends or wait for the next break or holiday. You are learning new linguistic habits, and habits are acquired only by habitual behavior. Dancers remember a wide range of steps, styles, and roles. When they perform them effortlessly, we know that each articulation comes from a spontaneous combination of phrases and sequences, and the performance we see does not represent just a series of memorized steps. But memorable performances do not come easily or quickly. Steps are learned; details are added; then layers of emotion and color appear. At a certain point, dancers absorb the work completely and their movements become automatic, leaving the dancer's mind free to focus on the moment by moment nuances of the performance. Dancers call this muscle memory. But this kind of fluidity comes after years and years of practice. The body has to acquire and learn the steps first. In the study of Japanese, I will call these first steps, "getting it into the body." That's what I will do. My job will be to get new words and sounds that seem separate and disjunct "into your body." Eventually, these words, with disciplined practice, will merge into phrases and longer sequences. Brain scientists refer to this process as "chunking." As you build "chunks" of phrases and sentences, you must practice converting them into smooth and seamless expressions of ideas and thoughts that you want to express. To start, just memorize the Japanese words and phrases that I introduce to you every day, and use them outside of class: talk to yourself in Japanese; write a short word in Japanese; increasingly plan your day with Japanese words; doodle in Japanese; answer the phone in Japanese; call home in Japanese; teach your roommate Japanese; talk to your dog in Japanese. Speak to your sensei in Japanese.
(1) Yasu-Hiko Tohsaku, ようこそ, An Invitation to Contemporary Japanese (third edition), New York: McGraw-Hill, Inc., 2005. (2) Yasu-Hiko Tohsaku, ようこそ, WORKBOOK for An Invitation to Contemporary Japanese (third edition), New York: McGraw-Hill, Inc., 2006.
Do not miss class. This is crucial; saboru-ing (that is, "sabotage" or cutting class) will bring dire consequences. It will create wrong habits, lead to repellent grades, and cause you to fail. Come to class each day and you will easily pass this course. Even if you are "not prepared" for class, come anyway; declare yourself an AFT - "auditor for today" or a DCM - "don't call on me!" Do not miss opportunities to hear, listen, and speak Japanese. Class time is structured practice time; it also becomes an opportunity for me to provide clues that will help you use the right word or phrase at the right time. Seeing, recognizing, and understanding the dynamics of different linguistic contexts will make your Japanese sound genuine, timely, respectful, and natural. Missing class will be considered highly discourteous. Appropriate phrases will be introduced so that you will have the magic phrase that will allow you to "re-enter" this training hall after an absence.
Since this class meets at 9:00 am on Mondays-Fridays, you will need to adjust your life-style accordingly. Learn to wake up early or drop this class. Come up with creative ways to shorten your time away from Japanese language learning. Schedule regular visits to the Language Learning Center. Visit Tekisuijuku, the Japanese language and study center on campus. Pay attention to weekly and monthly schedules. Language acquisition requires different study methods. Twelve-hour cram sessions before tests will not take the place of consistent, daily practice. After practicing alone in the language learning center, I strongly recommend that you work with a partner. You are learning to communicate, so find someone to talk to! I will arrange meetings with advanced students if you are interested.
Your final grade will be based on points earned throughout the semester. Although tests and quiz points may seem more important to you, I consider in-class practice and homework practice very important. Language learning comes cumulatively and it develops with constant practice. Homework assignments show me the quality of your practice. They are not graded because I am interested in "how" you are practicing and whether the practice has been effective or not. When you do not attend class or when you do not complete a homework assignment, you display your attitude toward practice. I will give bonus points often for attendance and for exceptional work on homework assignments; these bonus points will be added to test scores. (1) Homework Assignments may earn bonus points (10% of grade) (2) Attendance (bonus) quizzes (3) Longer and more formal Quizzes (25% of grade) (4) Tests (30%) (5) Final Oral and Written Examinations (35%) As a general rule, you will not be able to make up Attendance Quizzes. These quizzes reward those who attend. If you miss a class, pick up class handouts and homework assignment sheets from the table outside my office door. Late
Assignments
1) Friday, September 11 (5 minute oral) 2) Friday, September 18 (hiragana) 3) Friday, September 25 (hiragana) 4) Friday, October 2 - Test #1 5) Friday, October 9 - Test #2 OCTOBER BREAK 6) Monday, October 19 - Test #3 7) Friday, November 6 - Test #4 8) Tuesday, November 17 - Test #5 *9) Wednesday/Thursday/Friday, November 18-20 - Oral Controlled free conversation opportunity (by appointment / no class) Thanksgiving Break ( かんしゃさい の やすみ) November 21-29
Friday, December 11 - Kanji/Hiragana/Katakana test Saturday-Monday, December 12-14 - Oral Finals (by appointment, no class) Wednesday, December 15 @ 9-11 AM - Written Final
Monday and Wednesday 2:30 pm - 4:00 pm By appointment: 527-5896 (Olin East 114) or Takemoto@Whitman.edu Evening meetings are also possible. Call or email me to set up an appointment. The more times I see you outside of class, the more I can help you examine your study environment and assist you in developing strong and effective study strategies. If you find that a word or a phrase or a grammar point does not "feel right," see me right away. Everything you do in class serves as an opportunity to practice a gesture or a phrase in Japanese. Therefore, I will teach you a phrase that you will use to greet me formally when I walk into class; I will also expect you to use an appropriate phrase as you leave my presence after class. When you are late for class or when you miss a class, I will ask you to use the correct phrase. If you need to leave the room for any reason, you will have to use a phrase that will announce your intentions. Eat breakfast before you walk into class; if you have not finished your coffee or your cereal, finish eating/drinking food and drinks in the hall; then say the magic words that will allow you to come into class late. In fact, I will ask all of you to be late for class so that you can practice standing at the door and waiting for the signal that you allow you to enter class properly. All handouts, quizzes, and tests will have three holes. Get a large three ring binder and keep all handouts, quizzes, tests, and notes in separate sections so that they can be easily found.
Finally, all written work either in class or at home (homework, quizzes, tests) should be done with a soft leaded pencil and a portable pencil sharpener. Add a good soft eraser to your bag of writing tools. I expect you to write a lot and make a lot of mistakes. Respect your "tools" and write carefully, slowly, deliberately, and often.
For personal help, contact Omoto Noriko at Tekisuijuku, 527-5754. Corner her on campus and make her listen to your pronunciation. Or, contact the Resident Assistant, David Abramovitz to arrange special sessions with advanced students, your Japanese language "sempai" on campus. |
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