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Articles on Fencing
Art or Sport? (by Maitre Adam Adrian Crown)
Why Study Classical Fencing? (by Maitre Adam Adrian Crown)
Practice Rapiers -- Schlagers vs. Musketeer Blades
(by Maestro Ramon Martinez)
Practice Rapiers -- Technical Specifications on Museum Rapiers
(by Gregory Stauf)
Practice Rapiers -- More Technical Specifications (note the difference in balance points between the English rapiers from above and these Italian rapiers.)
Fencing in New York in the 1880s
Social Behavior in a Traditional Italian Salle (1870)
Why Fence Foil First? (by Maitre Nick Evangelista)
Duelling In Paris
Monsieur L'Abbat, 1734, "The Art of Fencing, or, the Use of the Small Sword" (An English translation of a French Small Sword Treatise. Worth reading through at least the guard and lunge--even if not interested in French Small Sword--because it provides a striking contrast to the Italian techniques. It also shows some of the basis of more modern French foil styles.)
The Military Masters Fencing Program (by Maestro Frank Lurz)
Censorship vs. Scholarship (an excellent example of the type of
disagreements that can make learning historical fencing so difficult)
Fencing and Fencers in Paris
Daggers of the Mind: Towards a Historiography of Fencing
(by Ken Mondschein)
Amateur Fencers' League of America 1891 Tournament Rules
Check back for a copy of the AFLA 1940 rules, once I get a chance to scan
them!
A Hit, A Palpable Hit (A short essay on the effects electronic scoring
has had on the evolution of fencing as a sport, by Maestro John Sullins)
Who Benefits? (Another short essay on the use of electronic scoring, by Maitre Adam Adrian Crown)
Scans of a Solingen fencing supply catalog from 1926
Demystification of the Spanish School, Part 1
(by Maestro Ramon Martinez)
An Enjoyable Fictional Fencing Bout
(by Rafael Sabatini)
Anatomy of a Duelist's Wounds (by Maestro Frank Lurz)
The 5 Tactical Principles
(by Maitre Adam Adrian Crown)
The 4 Strategic Positions
(by Maitre Adam Adrian Crown)
Duels with the Sword (by Andrew Steinmetz, 1868)
Weapon Grips and Schools (by Maestro William Gaugler, notice, the information about the French gloves appears to be incorrect)
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